GREASE background and analysis by Scott Miller The year isa pivotal moment in American cultural history, when rock and roll was giving birth to the Sexual Revolution and everything in America culture was about to be turned upside down. Record companies were releasing more than a hundred singles every week and the country was about to explode. Originally a rowdy, dangerous, over-sexed, and insightful piece of alternative theatre, Grease was inspired by the rule-busting success of Hair and shows like it, rejecting the trappings of other Broadway musicals for a more authentic, more visceral, more radical theatre experience that revealed great cultural truths about America. An experience largely forgotten by most productions of the show today.
Shelley uses the grotesque in this poem to parallel his depth of anger and feeling about the events at Peterloo.
In this poem, there is no reprieve for the reader as the parade of grim images marches by. The contrast between the calm versus grotesque that occurs between the first and second stanzas is important because the reader and the narrator are jerked into a horrifying awareness of the grim situation.
The effect of beginning this poem with a serene and peaceful introduction that invokes soothing images of sleep, the sea, and visions, only to launch into one disturbing set of grotesque images after another is, itself disconcerting and in some ways, grotesque as a narrative device and emphasizes the very meaning of the poem by the end.
By presenting the former condition of his psyche prior to his knowledge of the events at Peterloo at rest in Italy near a sea that speaks to him the narrator presents the stark contrast between restful sleep and serenity and bloody tragic events.
From his state of tranquility near the ocean in Italy, the reader and narrator are in a dreamlike state, oblivious to the harsh realities. When these realities arrive, they crush the deceptive lull the reader experiences in the first stanza as our first image after that is the visage of Murder followed by a pack of marauding hounds.
This is not the only time Shelley jerks the reader out of a moment of tranquility. It can also be seen in the very structure of the poem. Instead of relying on a complex structure fraught with a number of deep metaphors, this poem is incredibly straightforward in its style, structure, and rhyming pattern.
This very simplicity is at the core of the grotesqueness of the poem because there is no attempt to mask horror or unpleasantness—it is available and ever-present and the narrator does not mince words.
For example, aside from the stanza mentioned above about Fraud and the playing children, there are other stanzas, such as the 42nd one, which sing a horrid song. Instead of using difficult or obscure words, dense metaphors, or sophisticated prose, Shelley simply uses the most blunt and often tactless words to describe or narrate.
In many ways, it is easy to imagine how part of the impact might be lost if he were to instead rely on sophistication of language, structure, and style to relate the grotesque. Doing so would distract the reader and might be considered beautiful as poetry—something that is clearly not on the agenda in this poem.
Aside from merely pointing out these contrasts between serene and incredibly grotesque images, it is worthwhile to consider the ways this narrative device, as well as the more general use of the grotesque produced by word choice and the very structure of the poem functions.
The grotesque is one of the most important elements driving the sense of anger and outrage throughout the poem. The grotesque in this poem grows steadily until the reader is finally introduced to the most grotesque image in the poem, the figure of anarchy.
Interestingly, all of the elements discussed thus far come together to form the overarching tone of the poem—extreme, intense anger and outrage.Apr 15, · Artificial intelligence positioned to be a game-changer.
It might not be long before machines begin thinking for themselves -- creatively, independently, and . An international, peer-reviewed, Open Access journal that spans the spectrum of drug design and development through to clinical applications.
The journal is characterized by the rapid reporting of application notes, reviews, original research and clinical studies in all therapeutic areas. Chapter 3 Synopsis of Volume 3 Chapter 3. As he works on his new creation, Frankenstein begins to fear that she and the monster will breed and threaten humanity.
Frankenstein alludes to John Milton's Paradise Lost and to the Biblical figure of Satan. The Creature identifies with Satan not because of his evil but because Satan, too, was cast aside by his creator. The Creature's bitterness drives him to murder.
Death is an important theme in the novel. SITTING IN AN office in San Francisco, Igor Barani calls up some medical scans on his screen. He is the chief executive of Enlitic, one of a host of startups applying deep learning to medicine.
extreme sports should be banned essays ucsd linguistics research paper my philosophy in life short essay about nature toussaint louverture ap english essay help.